Nathaniel Hansen is a good, good friend of ours. We became friends in Boston about 10 years ago and have been friends ever since. He is an extremely talented filmmaker. He has been featured on Kickstarter (on their homepage no less!) and is trying to raise money for his latest project, "The Elders." You can find all the information here, as well as hear Nathaniel, in his own words, describe his vision for the film. His work is so incredible and inspiring. Here's hoping you raise all the
money you need, Nathaniel! We think you are pretty amazing!
I'm quite fond of the documentary below (make sure you read Nathaniel's words about it before you watch- they are posted below the vide0.) Chris was lucky enough to see the screening of it here in LA in March at the WGA theater (I, on the other hand, was/am the primary food source for a little one and therefore was sadly unable to attend. Boo.)
Pat – A Documentary Short from Nathaniel Hansen on Vimeo.
In Nathaniels words:
"This is the second documentary short in my profile series. I've walked by this store on Boylston street hundreds of times, and there is always an elderly woman peering out from behind the store front.
The front of the store is all glass, and the display case is filled with "collectible junk." I couldn't help but think every time I walked by, "how does this store survive, and what is that woman's story?" I had no idea just how interesting the woman in the junk shop would turn out to be.
Artistic Statement: As the second in my profile series, I wanted to retain certain aesthetic elements from my first piece in the series featuring Gilbert. The challenge would be to keep the series interesting, and to keep those aesthetic elements from becoming cliche or gimmicky.
I decided early on to make the store an extension of the main character, Pat, as she is very much a part of the store and the store a part of her. I utilized an establishing shot from across the street to convey voyeuristic sense of peering in to this "familiar stranger's" life. I wanted to create a sense of place, differentiated by sound and perspective, that marked the outside from the inside of the store.
I wanted the interview to have an almost home movie or archival feel and I felt that the drab colors and the cool fluorescent lighting should be accentuated for the viewer, so obviously black and white wouldn't work like it did with Gilbert's piece.
My only regret with this piece is that I didn't have a wider lens to shoot the narrow store interior and capture the clutter and sense of claustrophobic nostalgia one feels when inside. Although it was awkward for me, I chose to frame a couple shots of Pat where she sits all day long near the store front. She literally blends in with the items on the wall. Over the last 35 years, Pat has become a part of the collection that she so lovingly curates."
I filmed this piece on a Sony EX1, with a Letus 35mm Adapter, Zeiss Planar T* f1.4/85mm prime lens, and a Nikon 50mm f1.4. The project was color treated with magic bullet looks.
To view other documentaries Nathaniel has done, click here.
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